5/1/2023 0 Comments Egyptian movie histera![]() Its many interpretations, during different historical periods, reflect the varied cultural concepts for explaining bodily illness and social deviance. The group of phenomena we now call hysteria and regard as a type of mental disease has been known since antiquity. Bodily communications indistinguishable from those typical of hysteria may also be present in individuals diagnosed as hypochondriacal, neurasthenic, or schizophrenic, and sometimes in so-called normal persons as well. The terms conversion hysteria and dissociative reaction are other names given to these phenomena. In contemporary usage, the name hysteria is given to a form of mental illness characterized by the exhibition of bodily signs such as paralysis or spasmodic movements and by complaints about the body, such as anesthesia or pain. In fact, at some point, his compositions accounted for 20 percent of all music used in Hollywood productions at the time!Phenomenology and explanations of hysteria Can you guess what it is? His music was the most widely used for films of any conposer in his time or since, and specifically Hollywood films. Saint-Saens's music has a very special place in musical history. It became one of his most recognizable and popular pieces. Interestingly enough, the piece very much caught the public's imagination as an expression of Oriental romanticism. The historical reason why these movies use the “faux-Arabic” sound so much is, in my opinion, probably most tied to Saint-Saens's works, most importantly “Bacchanale.” It was a piece he wrote after travelling around the Orient and hearing the local music and attempting to translate some of its feel to classical Western music. The “compositional” methodology and form are also distinctive, but certainly not completely foreign to Western music.Īlso, what you said about Hollywood movies “cheating” with music is actually far more complicated than you think. Other than that, it's just distinctive use of certain scales, etc. The most “odd” thing about Arabic music, compared to European music, is the use of waves of quarter tones as a sort of decorative trill. Hijaz, the mode you always hear when you think of “Arabic music” is in fact the Phrygian mode. Flavours of traditional music are often mixed with modern styles to evoke a particular period whilst still sounding contemporary.Īll maqama I know have Western music equivalents. For example, films set in medieval England often use music of the renaissance style, and make little distinction between church music, secular court music and folk music - a glaring inaccuracy to someone familiar with the English tradition, but close enough to set the scene for most viewers. They'll choose music that sounds right to the casual listener, regardless of its cultural or historical accuracy. The vast majority of Hollywood films cheat with music, as they cheat with everything else. Composers working on film and game music generally use software libraries containing samples of real instruments, which can be used to evoke a particular culture. Those scales are sufficiently distinctive that we subconsciously make the association even if we don't understand the theory.įilm music can be bought from a music library, licensed from a particular artist or specifically composed and recorded for the film. Music in the Arab world uses scales called maqam that aren't found in western music. This all left a deep historical mark on film conposition, and every director who wants an Arabic feel to his film, will seek a sound very much like “Bacchanale,” if not “Bacchanale” itself. In fact, at some point, his compositions accounted for 20 percent of all music used in Hollywood productions at the time! Can you guess what it is? His music was the most widely used for films of any composer in his time or since, and specifically Hollywood films. ![]() ![]() I posted this somewhere else in the thread:
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